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| | jeudi, septembre 22, 2005

datelinehollywood.com featured an article last week saying:

ROBERTSON BLAMES HURRICANE ON CHOICE OF ELLEN DEGENERES TO HOST EMMYS
Hollywood – Pat Robertson on Sunday said that Hurricane Katrina was God’s way of expressing its anger at the Academy of Television Arts and Sciences for its selection of Ellen Degeneres to host this year’s Emmy Awards. “By choosing an avowed lesbian for this national event, these Hollywood elites have clearly invited God’s wrath,” Robertson said on “The 700 Club” on Sunday. “Is it any surprise that the Almighty chose to strike at Miss Degeneres’ hometown?”

It was a hoax, evangelist Robertson ( yes the one that called for the assasination of President Chavez) never said this in his Sunday television program. But Pat Robertson reacted to the satirical article in a very strange way. He wrote a letter to the editors of datelinehollywood.com:

In the letter he states that New Orleans was destroyed because it's the "epicenter of sinful jazz music". Ellen has got nothing to do with it.
Ellen “DeGenerate" ,"will meet her fate when the Good Lord creates an earthquake centralized directly below the studio where she tapes her talk show."

I wonder, will this get her more viewers?

More at BoingBoing

via mijn kop thee en Puck

| | jeudi, septembre 15, 2005

I bought Camille Paglia’s essay collection “Vamps and tramps” in 1994 and after reading it again and again for about a year, it remained on the shelf for more than a decade.
Ten years mean a lot of changes.
But today I find myself reading “Vamps and tramps” again. I forgot how much I liked it.

Paglia’s writing style is aggressive and direct. She drags you along, then surprises you with her bluntness. The essay “No law in the arena” is Paglia’s “pagan theory of sexuality” and largely explains her views on homosexuality, lesbianism, gay activism and theory.

In 1994 I had sex with men, not with women. I could understand Paglia’s abhorrence of the closed lesbian community of the ‘90s. I was labelled “straight” by lesbians. Not even the fact that I am a woman granted me any sympathy. Maybe I was just another straight, dick-loving traitor to them.

Ten years later, I have seen a fair deal of the lesbian community. I’ve discovered – for example- that lesbian bars are the same all over the world. I got punched in the face or could barely escape a fight for saying inappropriate things to inappropriate lesbians more than once. And most of the time I got plain drunk out of boredom.
Camille Paglia is to my knowledge the first to describe the phenomenon of lesbian bars shamefully accurate: “One is deafened in [lesbian] bars by the juvenile whooping and hollering of packs of lesbians greeting each other like screeching teen arriving at a slumber party.” She says.

According to Paglia there’s no opportunity to have an interesting talk and the music is shit, certainly if compared to gay men’s bars. “Music in the men’s bars is pumping, pelvic, and sweatily sexual; there is an edge of menace, a darkness of artistic ambiguity. Music in too many women’s bars is bland, defanged disco, with a monotonous tic-toc beat ideal for bad dancers. A complex Latin polyrhythm clears the floor. Classic dance tunes, numbingly overplayed, have a chirpy, cheerleading, middlebrow tone.”

Paglia points out that gay bars for men are open to anyone. Strangers can enter a bar and cruise other men anywhere in the world. But in lesbian bars that is hardly the case.
“Solitary cruising and pickups do occur among lesbians, but they are not the rule. Lesbian bars are organized in huge kinship groupings.” says Paglia. “Trying to break into these shifting cliques could drive you mad – unless you join one of their sports leagues. Musical beds is the name of the game. But each person sets up the next affair before she breaks off with the last, so there is an intricate overlapping, producing endless amounts of what Alison Maddex calls, with exasperation, “lesbian drama from hell”. Lushly eroticized push-pull emotion, rather that genital sexuality, is the real heart of lesbianism.”
Well, reading this makes me laugh, because it is so true. It's slowly changing, but still true.

In “No law in the arena”, Paglia states that the lesbian community is childish, debilitating and infantile. Creativity and wit are killed at the root and heterosexual men are rejected out of fear.

Lesbian feminism in the 1970s condemned heterosexual sex and its emphasis on penetration. “Anything echoing heterosexual penetration had to be avoided or disgusted.” writes Paglia.

During the eighties, dildoes were tolerated, but they shouldn’t be compared to penises. They were lesbian toys, but certainly not substitutes for male genitals.
“What bothers me is that the lesbian dildo craze stubbornly avoids acknowledging its anatomy-as-destiny implications.” Reacts Paglia “Why stop at dildoes? If penetration exites, and if receptive female genitalia are so suited to friction by penis-shaped objects, why not go on to real penises?”
Lesbian feminism opposes men and equals maleness to oppression, patriarchy, exploitation. Men cannot be considered as potential sex partners.

The points is, according to Paglia, that lesbian theorists have always evaded every possibility of reconciliation of the sexes and creating a bisexual awareness. A bisexual awareness would be a far more grown up way of dealing with sexuality.
“Any woman, gay or straight who cannot respond to penises or who finds them hideous or laughable (…) has been traumatized by some early experience. She is neither complete nor healthy as a person.” states Paglia.

This makes me think of Adrea Dworkin, the feminist who was radically opposed to pornography and said that penetration (by a male) equals exploitation.
Dworkin had been raped and abused several times and based her views on those experiences and the experience of many abused women.

Paglia and Dworkin aren’t really buddies. Paglia is a fierce defendant of pornography ("a pagan arena of the archaic vigor of nature”) and devotes a 5 pages rant to Dworkin in “Vamps and Tramps”(which was originally published in Playboy …). They take extreme sides in the nature-nurture debate.

I don’t want to go into this, but I really appreciate Paglia’s assertion that something went wrong in the feminist movement the last decades. Sexuality has been so mangled up and stigmatized, that we don’t see the point anymore.

“The real butches are not the lesbian ones, but the heterosexual women.” says Paglia.
Because dealing with men makes you stronger. Women like Lauren Hutton, and Chrissie Hynde should be role models for young women (whether straight or lesbian), not k.d. Lang “with her lugubrious singing style and her passé persona of baby-faced desexed boy.”

Men and women need each other. That’s Paglia’s point. When lesbians cut off men and create their feminist lesbian utopia and when gay men create their macho world of muscles without women, something essential is lost. If we want to be sexual beings we need to explore femininity and masculinity. We need “dual vision”, says Paglia, “in a world in which people can freely cross gender lines”.

Camille Paglia, Vamps & Tramps : New Essays, Vintage, 1994

| | jeudi, septembre 01, 2005

I don't give in to her pleas. I don't even touch her. I just pull off the few clothes she is still wearing and turn up the heating.
Then I sit down and drink whisky. Quietly.
That gets her angry. Rage is building up inside her. Her arms are becoming heavy and she' s running out of patience. But she knows we haven't finished yet. For the first time I can see insecurity in her eyes.

She has the most beautiful hips: round and brown and soft. When she moves, I can see the muscles in her upper arms move under her skin. I observe her and enjoy.

She's standing upright, kicking and cursing. She's too proud and stubborn to admit that she has lost the game.
I approach her and push her against the wall with my body. Brutally. She struggles and pretends to be disgusted. Our breasts touch and I shiver. She's breathing heavily into my neck, but she doesn't bite. I massage her nipples and cup her breasts in my hands. I know this turns her on. She’s getting wet now and keeps pushing her hips against mine.

"What do you want from me?" I whisper in her ear. "More whisky?"
She turns her head away. I’ve still got the bottle in my hand and take a big swig. Then I kiss her. She wants my tongue but I try to push the whisky into her mouth. She doesn’t swallow, just lets the liquid run down her chin, neck and breasts. Slowly, with only the tip of my tongue, I lick it off. From her neck to the hollow of her scapula. Down in between her breasts. Over her stomach to her hip bone. -Thighs, knees, calves to all ten of her toes.
Then back up along the inside of her right thigh. She’s trembling. She’s shaken with emotion and I thought she couldn’t feel anything.
I lick teasingly slow and carefully avoid any spot she likes me to touch. When I reach her lips and kiss her, she kisses me back wildly. I’m afraid she will bite my tongue.

I slide my right finger into her cunt. She sighs. I try not to touch her clit.
She’s really horny now and can barely contain herself. She just wants to move and buckle and grind. Like an animal. Her muscles contract and relax and her skin is burning. She’s having trouble standing up.

“Do you want me?” I whisper into her hair. “Yes,” she says. “Yes, I want you. Go on. Don’t stop.”

But I do stop and untie her. I push her into the bedroom, onto the bed and massage her wrists. She pulls me on top of her and starts to move. I slowly push my hip against her wet clit. She’s so horny she can barely hold a rhythm. I push her hips into the mattress and try to postphone her orgasm as long as possible, but she comes almost immediately. Long and hard. I keep moving. She groans and sighs each time my hip or thigh touch her cunt.

She moves a little and squeezes her hand in between our hips to help me. I’m as wet as she is. I can feel her fingers slide over my cunt and I know I’m about to explode. She keeps moving slowly until a big full blown orgasm hits me.
I shudder and contract on top of her, her arms pushing me tightly against her body. I lie motionless and a feeling of release and loss, of sadness and emptiness washes over me.
She caresses my back and shoulders and I stay on top of her for a while. Completely still. After a while she whispers something in my ear.

”Animal.” she says.
”You”, I answer, “You are my animal.”

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